Distinguished Experts come together for the HMAs 2021

HEMI Music Awards 2021 is proud to have secured the participation of an international Jury of Experts from the 9 HEMI countries.

Submissions are still open for the HEMI MUSIC AWARDS 2021. The deadline is December 23!

In charge of all phases of the selection of candidates is a Jury of 27 members, each one an important voice in the music industry in the region: Industry professionals, Festival organizers, Promoters, Export Office Executives, Venue managers and Music journalists will come together to offer their valuable expertise and choose the winners! It’s time to turn the spotlight to our distinguished jury!

Czech Republic

Naray Marton, Director of SoundCzech Music Export Office

Vaclav Klima, Founder of Heartnoize Promotion

Jiri Matysek, music journalist at musicserver.cz, Full Moon Magazine

Estonia

Ave Tolpt, Jazz Estonia, Music Estonia

Ingrid Kohtla, Head of PR & Communications, Tallinn Music Week

Mihkel Kubar, Intsikurmu Festival

Greece

Leonidas Antonopoulos, Head of Kosmos Radio, Artistic consultant at Athens Technopolis Jazz Festival

Thomas Mahairas, Artistic Director/Head of Communications Fuzz Productions /Release Athens Festival

Georges Perot, MESO Music Events, Head of Athens Music WeekHEMI Music Hub Project Coordinator

 

 

Hungary

Zsolt Jeges, President, HAIL / Founder, Mamazone Records

Machán-Csetvei Frigyes aka Nesta, concert and gig organizer, program editor and presenter at TrendFM 94.2 in Budapest.

András Hering is the editor-in-chief of the online magazine Phenomenon.

 

North Macedonia

Zoran Petrov CEO, Program Director Antenna 5 Radio

Lina Ugrinovska, International Booker/ Password Production

Goce Trpkov, music producer (DJ Goce)

 

Poland

Marcin Bąkiewicz, music journalist, music director of Antyradio

Michal Wojcik, CEO/founder of Cracow Music Scene, Tak Brzmi Miasto

Maja Lapuszynska, Krakow Festival Office, Wianki  Fete de la Musique Program Manager

 

Romania

Anca Lupes, President of RAW Music/ Mastering the Music Business

Bogdan Serban, Radio producer, RADIO GUERRILLA

Edmond Lenarth, Head of Booking and Event Manager, Electric Castle

 

Serbia

Milan Rakić, music promoter, record label owner and rock – metal – punk journalist.

Dragan Ambrozić, music journalist, promoter, EXIT festival

Katarina Epstajn, Editor-in-Chief of the Thematic Channels of Radio Belgrade.

 

Slovenia

Peter Baroš, Secretary General, Sigic, MENT

Klara Zupančič, Val 202, Punk Rock Holiday Festival

DJ Tomaz Pezdirc, Radio Terminal

Find all the information and apply for the HEMI Music Awards, at: https://hemimusichub.com/awards/

 

 

PIN TV premieres on December 13!

PIN TV – the first TV format dedicated to the music industry – is this year’s answer to holding a conference amid Covid-19 restrictions!

A 13-hour TV program, streaming online, PIN TV is a hybrid music conference format developed from the need to preserve the conference’s most important goal: to inform, educate, and deliver the forecast of the live industry!

The Official Premiere is Sunday, December 13, 11:00 AM (Central European Time)

ON THE OFFICIAL YOUTUBE CHANNEL OF TAKSIRAT FESTIVAL
Links: www.pinconference.mk

https://www.facebook.com/pinmusicconference

You can find all the details about the full program in the press release below.

TAKSIRAT PRESENTS:
PIN TV is a hybrid music conference format developed from the need to keep the conference most noble mission – to inform, educate, define the present time, and deliver the forecast of the live industry.
The program consists of over 50 different topics framed into 10-15 min of content each, witnessed by 200 music professionals sharing their expertise during the 13 hour TV program. Easy to watch, PIN TV is the first ever program of 13 hours non-stop content covering all the angles from the creative & event industry – meeting in one common point – music. The remarkable selection of delegates promises a relevant document of the current times, bringing seriously unharmed and sharp professionalism, cleverly obsessing your focus, despite all the showcases and intelligently spotted humor.

Starting from the basics, the discussions are moving among the hottest topics in the live industry, on the same table with all the domains that are naturally connected to the industry itself. BEN CHALLIS (Glastonbury|UK) is guiding us through the complex relation between the YOUROPE association and the artist agencies, implementation of force majeure clause, ALEX HARDEE (Paradigm|UK), BECKIE SUDGEN (X-Ray|UK), ANDERS WAHREN (Roskilde|DK), EDMOND LENARTH (Electric Castle|RO), STEVE ZAPP (ITB|UK), with their side of the story regarding the new framework defining artist fees and the future line ups, MICHELA MAGAS (Music Tech Fest|SE), driving us into the great unknown world of innovation and music technology, together with CJ CARR (Dadabots|US) as a prodigy of artificial intelligence playing with the music industry tools.

Many countries brought the promoters closer together so CODRUTA VULCU (Artmania|RO), MITJA PREZELJ (GizKos|SI), MARTIN STOYANOV (Loud Concerts|BG), will share their local position as industry towards their governments.

How Europe is acting towards the creative industries directly from WALTER ZAMPIERI (European Comission|BE) and FIONA DEUSS FRANDI (European Commission|BE), and how the local scenes have strengthened their belts with helps of their export offices (Music Export Norway, Sounds Austrialia, Iceland Music Export, Music Estonia, Music Export Poland, Austrian Music Export, Music Export Greece, Italian Export Buiro, La Bureau Export (FR)).
On the other side of their well-known careers, we are sneak peeking with CHRIS ECKMAN (SI/US), BILL GOULD (Faith no more|US), DARKO PERIC (La Casa de Papel), TANA DOUGLAS (first female roadie|UK), MARTIN DRUST (Saint Pauli|DE) and framing a serious selection of masterminds into the Health & Safety piece featuring CHRIS KEMP (MOM Consultancy|UK), MORTEN THERKILDSEN (Roskilde|DK), DARKO FLEGO (SKY Music|RS), MICHAL SLADEK (Pohoda|SK).
Subtitling solutions, why Youtube needs a translation and the importance of it for opening new markets for the artists, directly from the NYC flat of ROBERT SINGERMANN (LYRICFIND|USA), what is the work of a music supervisor, licensing process and what you need to know about the structure, by CONNIE FARR (THINKSYNC|UK).

The big love affair and connection between the event industry and tourism, with some of the most noble projects connecting these two dots: RUUD BERENDS (Eurosonic Noorderslag|NL), ALESSANDRA DI CARRO (Butik|IT), PETER SMIDT (Former ESNS|NL), VEDRAN MENIGA (Pozitivan Ritam|CRO), REMI BRUGGMANN (Montreux Jazz Festival|CH), ZLATANA PAVLOVIC (Lovefest|RS).
What is 2020WHEN and what is sustainable in these unsustainable circumstances? An honest and yet hopeful turnover of the events with NICK HOBBS (Charmenko|TR), FRUZSINA SZEP (GOODLIVE|DE), ALEX STEVENS (DOUR Festival|BE), MAJA STARCEVIC (EXIT Festival|RS), CLAIRE O`NEILL (A Greener Festival|UK), AKOS DOMINUS (Sziget Festival|HU) and how we all laid down into the digital world by DARIO DRASTATA (Impala/Runda|CRO), BRANKO KOMLJENOVIC (Menart|CRO), NIKOLA JOVANOVIC (Runda|RS), JENNIFER MASSET (Spotify|US).

Directly into the source, HARRY TIDSWELL (FANBYTES|UK), how TikTok is now part of any artist career, winning or losing during the dance?

Challenging times behind all of the sequences defining the music industry, catching unprepared lots and lots of sectors including the PR, so we are going through the good times and bad times with NIKKI MCNEILL (Global Publicity|UK), ANDRAS BERTA (EXIT Festival, RS), GIDEON GOTTFRIED (POLLSTAR|DE), ALEX HARTEL (SUMMER BREEZE OPEN AIR|DE).
Among the rest, the hidden hell of – TICKETING, MENTAL HEALTH, GOVERNMENT SUPPORT, with even wider selection of experts in the fields will be premiered as part of PIN TV.

EXCLUSIVE SHOWCASES:
MOLCHAT DOMA (BY); DJAIKOVSKI (MK); ATNA (DE); FULU MIZIKI (CG); ALEXIA C (GR); BERNAYS PROPAGANDA (MK); BOHEMIAN CRISTAL INSTRUMENT (CZ); CHE SUDAKA (ES); VYDRAPENA BUZIRKA PUNK SYSTEM (SK); SUPERHIKS (MK); SHELTER BOY (DE); GUACAYO (DE); DZAMBO AGUSEVI ORCHESTRA (MK); YON IDY(MK); TOKA SHITET(MK); FUNKY FRESH (MK); ANTONIE VESKOVSKI (MK); LJUBOJNA (MK), PERIJA (MK); CROOK THE KID (CA).

Links: www.pinconference.mk

https://www.facebook.com/pinmusicconference

Feasibility of a European Music Observatory: new studies from Music Moves Europe

The European Commission has just published two studies of “Music Moves Europe”.

Under the 2018 Preparatory action on music, the European Commission launched several studies to address the main challenges in the music sector, all aiming to improve the poor data availability, develop a better understanding of the market trends as well as sustainable mechanisms on how to monitor them, and to identify data and funding needs.

Two corresponding studies are now published:

However, we need to note that the data for both studies and their analysis reflects the “pro-Covid-19” situation.

The current crisis has had a profound effect on the music sector, so the issues that these studies bring to light (the lack of data and the funding gaps) make their findings even more important, so that EU and national institutions and policy makers can contribute to the sustainable development of the music sector.

Background

The 2018-2020 Preparatory action “Music Moves Europe: Boosting European diversity and talent” aims primarily to prepare future support for music under the Creative Europe programme (new sectorial action on music).

Over the past three years, the European Commission has launched 7 calls for proposals and 4 calls for tenders to implement the Preparatory action, with a total budget of €7 million. This process and the results achieved will help design the future EU support in the context of the Music Moves Europe initiative, including funding under the Creative Europe programme.

For more information, you can also read about how the EU responds to the coronavirus outbreak in support of the cultural and creative sectors.

Stay Home, Stay HEMI!

With the pandemic raging, and a worldwide travel ban, all HEMI meetings had to adapt to the situation!

Working from home and communicating only via online platforms has become our new normal. Here is a snapshot from the latest trend: zoom meetings!

We always start with partners giving us information on the covid-19 crisis in their home country, and then we try to estimate the duration of this new reality, to see how we can get back to work!
There’s much to do, especially since the situation is dire for musicians and all the performance arts sector.
What will happen to European festivals, concerts, and conferences this summer?
Everything is uncertain at this point, but we have to be prepared.
The music industry needs all the support it can get!
Stay home, stay safe!