PIN TV – the first TV format dedicated to the music industry – is this year’s answer to holding a conference amid Covid-19 restrictions!
A 13-hour TV program, streaming online, PIN TV is a hybrid music conference format developed from the need to preserve the conference’s most important goal: to inform, educate, and deliver the forecast of the live industry!
The Official Premiere is Sunday, December 13, 11:00 AM (Central European Time)
ON THE OFFICIAL YOUTUBE CHANNEL OF TAKSIRAT FESTIVAL
You can find all the details about the full program in the press release below.
PIN TV is a hybrid music conference format developed from the need to keep the conference most noble mission – to inform, educate, define the present time, and deliver the forecast of the live industry.
The program consists of over 50 different topics framed into 10-15 min of content each, witnessed by 200 music professionals sharing their expertise during the 13 hour TV program. Easy to watch, PIN TV is the first ever program of 13 hours non-stop content covering all the angles from the creative & event industry – meeting in one common point – music. The remarkable selection of delegates promises a relevant document of the current times, bringing seriously unharmed and sharp professionalism, cleverly obsessing your focus, despite all the showcases and intelligently spotted humor.
Starting from the basics, the discussions are moving among the hottest topics in the live industry, on the same table with all the domains that are naturally connected to the industry itself. BEN CHALLIS (Glastonbury|UK) is guiding us through the complex relation between the YOUROPE association and the artist agencies, implementation of force majeure clause, ALEX HARDEE (Paradigm|UK), BECKIE SUDGEN (X-Ray|UK), ANDERS WAHREN (Roskilde|DK), EDMOND LENARTH (Electric Castle|RO), STEVE ZAPP (ITB|UK), with their side of the story regarding the new framework defining artist fees and the future line ups, MICHELA MAGAS (Music Tech Fest|SE), driving us into the great unknown world of innovation and music technology, together with CJ CARR (Dadabots|US) as a prodigy of artificial intelligence playing with the music industry tools.
Many countries brought the promoters closer together so CODRUTA VULCU (Artmania|RO), MITJA PREZELJ (GizKos|SI), MARTIN STOYANOV (Loud Concerts|BG), will share their local position as industry towards their governments.
How Europe is acting towards the creative industries directly from WALTER ZAMPIERI (European Comission|BE) and FIONA DEUSS FRANDI (European Commission|BE), and how the local scenes have strengthened their belts with helps of their export offices (Music Export Norway, Sounds Austrialia, Iceland Music Export, Music Estonia, Music Export Poland, Austrian Music Export, Music Export Greece, Italian Export Buiro, La Bureau Export (FR)).
On the other side of their well-known careers, we are sneak peeking with CHRIS ECKMAN (SI/US), BILL GOULD (Faith no more|US), DARKO PERIC (La Casa de Papel), TANA DOUGLAS (first female roadie|UK), MARTIN DRUST (Saint Pauli|DE) and framing a serious selection of masterminds into the Health & Safety piece featuring CHRIS KEMP (MOM Consultancy|UK), MORTEN THERKILDSEN (Roskilde|DK), DARKO FLEGO (SKY Music|RS), MICHAL SLADEK (Pohoda|SK).
Subtitling solutions, why Youtube needs a translation and the importance of it for opening new markets for the artists, directly from the NYC flat of ROBERT SINGERMANN (LYRICFIND|USA), what is the work of a music supervisor, licensing process and what you need to know about the structure, by CONNIE FARR (THINKSYNC|UK).
The big love affair and connection between the event industry and tourism, with some of the most noble projects connecting these two dots: RUUD BERENDS (Eurosonic Noorderslag|NL), ALESSANDRA DI CARRO (Butik|IT), PETER SMIDT (Former ESNS|NL), VEDRAN MENIGA (Pozitivan Ritam|CRO), REMI BRUGGMANN (Montreux Jazz Festival|CH), ZLATANA PAVLOVIC (Lovefest|RS).
What is 2020WHEN and what is sustainable in these unsustainable circumstances? An honest and yet hopeful turnover of the events with NICK HOBBS (Charmenko|TR), FRUZSINA SZEP (GOODLIVE|DE), ALEX STEVENS (DOUR Festival|BE), MAJA STARCEVIC (EXIT Festival|RS), CLAIRE O`NEILL (A Greener Festival|UK), AKOS DOMINUS (Sziget Festival|HU) and how we all laid down into the digital world by DARIO DRASTATA (Impala/Runda|CRO), BRANKO KOMLJENOVIC (Menart|CRO), NIKOLA JOVANOVIC (Runda|RS), JENNIFER MASSET (Spotify|US).
Directly into the source, HARRY TIDSWELL (FANBYTES|UK), how TikTok is now part of any artist career, winning or losing during the dance?
Challenging times behind all of the sequences defining the music industry, catching unprepared lots and lots of sectors including the PR, so we are going through the good times and bad times with NIKKI MCNEILL (Global Publicity|UK), ANDRAS BERTA (EXIT Festival, RS), GIDEON GOTTFRIED (POLLSTAR|DE), ALEX HARTEL (SUMMER BREEZE OPEN AIR|DE).
Among the rest, the hidden hell of – TICKETING, MENTAL HEALTH, GOVERNMENT SUPPORT, with even wider selection of experts in the fields will be premiered as part of PIN TV.
MOLCHAT DOMA (BY); DJAIKOVSKI (MK); ATNA (DE); FULU MIZIKI (CG); ALEXIA C (GR); BERNAYS PROPAGANDA (MK); BOHEMIAN CRISTAL INSTRUMENT (CZ); CHE SUDAKA (ES); VYDRAPENA BUZIRKA PUNK SYSTEM (SK); SUPERHIKS (MK); SHELTER BOY (DE); GUACAYO (DE); DZAMBO AGUSEVI ORCHESTRA (MK); YON IDY(MK); TOKA SHITET(MK); FUNKY FRESH (MK); ANTONIE VESKOVSKI (MK); LJUBOJNA (MK), PERIJA (MK); CROOK THE KID (CA).